The results of Grierson's report were included in the National Film Act of 1939. Michael and Marcus have mentioned the documentary films of the National Film Board of Canada, from which the group's name is derived, as a source of inspiration. [13], In 1939 (81 years ago) (1939), the Act led to the establishment of the National Film Commission, which was subsequently renamed the National Film Board (NFB). I think that’s it. Boards of Canada haven’t released any new music since their 2013 album Tomorrow’s Harvest.Yesterday, the Scottish brothers Michael Sandison and Marcus Eoin returned with a … Oh and I need to watch that YouTube documentary there was a thread about recently. [92][93], While it is claiming success, directing credits and budget shares have barely changed. Launched in 1968, the logo symbolized a vision of humanity and was called "Man Seeing / L'homme qui voit". This includes the namesake of the group 'Boards of Canada' which was inspired by 'The National Film Board of Canada', a Canadian documentary film service that he and Mike watched regularly during their time in Canada. [94], Hothouse, a program for emerging animators that marked its tenth anniversary in 2015. A Boards of Canada documentary - 'This Is Hexagon Sun' September 18, 2020. The arms are met by an arch that mirrors them. Why Boards of Canada’s Music Has the Right to Children Is the Greatest Psychedelic Album of the ’90s. [120] 55 of the NFB's 75 Oscar nominations have been for its short films.[121]. Boards of Canada are a Scottish electronic music duo consisting of brothers Michael Sandison and Marcus Eoin. Juneau recommended the creation of a French production branch to enable francophone filmmakers to work and create in their own language. The animation department eventually gained distinction, particularly with the pioneering work of McLaren, an internationally recognized experimental filmmaker. John Rabbit. [169] In 2014, the interactive photo essay The Last Hunt received a People’s Voice Award Webby for best navigation/structure. ... Music Has the Right to Children isn't just the best Boards of Canada record, it's one of the best albums of all time. The organization has a hierarchical structure headed by a Board of Trustees, which is chaired by the Government Film Commissioner and NFB Chairperson. [40] Staff at the Centre d'animatique included Daniel Langlois, who left in 1986 to form Softimage. 85% Upvoted. One standout example of the inventive use of sound has a strong NFB connection: the work of electronic music duo Boards of Canada. A Boards of Canada documentary - 'This Is Hexagon Sun' September 18, 2020. Mike Sandison (born 1 June 1970) & Marcus Eoin (born 21 July 1971) are an electronic duo from Edinburgh, Scotland, UK. Funding is derived primarily from government of Canada transfer payments, and also from its own revenue streams. [73], In November 2011, the NFB and partners including the Inuit Relations Secretariat and the Government of Nunavut introduced a DVD and online collection entitled Unikkausivut: Sharing Our Stories, makes over 100 NFB films by and about Inuit available in Inuktitut and other Inuit languages, as well as English and French. [35] Generally starring non-professional actors, these films used a documentary format to present a fictionalized story and were generally scripted by the filmmakers and the cast through a process of improvisation, and are thus classified as docufiction. [74][75], In November 2006, the National Film Board of Canada and the Inuit Broadcasting Corporation announced the start of the Nunavut Animation Lab, offering animation training to Nunavut artists. There was a French Unit that was responsible for versioning films into French but it was headed by an Anglophone. National Film Board: A documentary scene from the 1962 "Gordon Incident" in Quebec by Habeas Corpus Canada. [174], The Kid Who Couldn't Miss (1982) cast doubt on the accomplishments of Canadian World War I flying ace Billy Bishop, sparking widespread outrage, including complaints in the Senate subcommittee on Veterans' Affairs.[175]. Any Boards Of Canada record is a hodgepodge of eviscerated jingles, wayward radio signals, stentorian documentary voiceovers and consumerist detritus. In 2016-2017, 44 per cent of NFB productions were directed by women (compared to 51 per cent directed by men and five per cent by mixed teams). Features, Video . Director General, Creation and Innovation: René Bourdages. report. Boards of Canada’s influence was unstoppable in the world of late-90s, early-00s electronic music, their pioneering felt even today in many contemporary acts. [35], The alternative drama films were The Masculine Mystique (1984), 90 Days (1985), Sitting in Limbo (1986), The Last Straw (1987), Train of Dreams (1987), Welcome to Canada (1989) and The Company of Strangers (1990). 2011: Annie Award for Best Animated Short Subject, 2009: Applied Arts Interactive Annual, Selected, 2009: CNMA (Canadian New Media Awards), Winner- Best Cross Platform Project, 2009: Digital Marketing Awards, Winner- Best of Show, 2009: Digital Marketing Awards, Winner-DMA Award, 2009: Hot Docs, Winner- Special Jury Prize, 2009: On Line Journalism Awards, Winner- Best Multi Media Feature Presentation, 2010: Applied Arts Interactive Annual, Selected, 2010: Applied Arts Interactive Awards, Winner – Entertainment, Arts and Tourism, 2010: Applied Arts Interactive Awards, Winner – Experimental and Artistic, 2010: Applied Arts Interactive Awards, Winner – Net Art, 2010: Applied Arts Interactive Awards, Winner – On Line Video, 2010: Applied Arts Interactive Awards, Winner – Public Service Charity, 2010: BaKaFORUM, Winner- Youth Jury Prize, 2010: CNMA (Canadian New Media Awards), Best On Line Program, 2010: CNMA (Canadian New Media Awards), Community Campaign of the Year, 2010: Communication Arts Interactive Annual, Selected, 2010: Communication Arts, Web Pick of the Week, 2010: Emmy Awards, International Digital Emmy, Non Fiction, 2010: On Line Journalism Awards, Winner- Multi Media Feature Presentation, Small Site, 2010: SXSW Interactive, Winner, Activism Category, 2011: Applied Arts Interactive Awards, Winner-Entertainment, Arts & Tourism, 2011: Banff World Television Festival, Interactive Rockie Awards, Winner- Best On Line Program – Documentary, 2011: Bellaria (Italy) Documentary Festival, Best Cross Media Doc, 2011: Communication Arts Interactive Annual, Selected, 2011: Communication Arts, Web Pick of the Day, 2012: Digi Awards (formerly Canadian New Media Awards), Best in Canadian culture, 2012: Digi Awards (formerly Canadian New Media Awards), Best in web series, non-fiction, Canadian Cultural Property Export Review Board, Public Servants Disclosure Protection Tribunal, This page was last edited on 13 December 2020, at 03:54. The service would be available internationally and would feature documentaries from around the world as well as the NFB’s own catalogue. Based in Ottawa, 90% of its staff were English and the few French Canadians in production worked with English crews. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. [32][33], NFB documentarians played a key role in the development of the IMAX film format, following the NFB multi-screen experience In the Labyrinth, created for Expo 67 in Montreal. save. [163] In August 2011, the NFB received an outstanding technical achievement in digital media award from the Academy of Canadian Cinema & Television. [115][116] In 2009, Norman McLaren's Neighbours was added to UNESCO's Memory of the World Programme, listing the most significant documentary heritage collections in the world.[117]. [59] In January 2010, the NFB added high-definition and 3D films to the over 1400 productions available for viewing online. Everything related to Boards of Canada is owned by Warp Records, Skam Music, or Music70. [35], When Norman McLaren joined the organization in 1941, the NFB began production of animation. This technique was also used on Caroline Leaf's film The Street. Caroline Leaf used this technique on films such as The Metamorphosis Of Mr. Samsa and The Owl Who Married A Goose. The six-storey John Grierson Building at its Montreal headquarters has been unused for several years – with HQ staff now based solely in its adjacent Norman McLaren Building. The Canadian Film Development Corporation would become responsible for promoting the development of the film industry. [109] In September 2013, the Université du Québec à Montréal announced that it had acquired the CineRobotheque for its communications faculty. 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