Oh, and do they get loud? I gave them a slight lower rating than a 5 just because they are not the top of the line monitors, however, they are in my opinion one of the best bang for buck near field monitors out there and I would not hesitate to buy again! My Experience Yamaha recommends placing the HS8 at least five feet from the nearest wall for truest response when bypassing its filters, but that wasn’t possible in my small control room. The Mids are clearer and more present. ( 0db, -2db, -4db ) The highs and lows are not hyped, and there is a good flat, true level throughout the 38Hz - 30kHz frequency response (of course pending your room you monitor and mix in is also flat). I spent some time yesterday at the Guitar Center in Chicago (2633 N Halsted St, Chicago, IL 60614) listening to the newly released Yamaha HS5, HS7 and HS8 Monitors. Recommendation on what to buy. The depth and clarity, once I got them into my beloved equilateral triangle, was incredible! Room Control Overall, At $349 each, the Yamaha HS8's are a steal of a deal for how great they sound. CONS: Very slightly understated reproduction of sibilance. The process was not “scientific” per se as I listened only to pre-recorded music (Bruno Mars-Just the Way You Are, Brad Paisley-Alcohol and Cheap Trick-I Want You to Want Me-Live.) The HS8 weighs 22.5 pounds and consumes 60 watts of power. I find myself loving to mix through these, the sounds are not harsh and are usually true to what I hear in the room (while tracking a violinist, the band exclaimed "sounds like he is right here in the control room playing!") On my first listen, these speakers sounded great! د.إ 1,310.00 د.إ 1,400.00. - Updated Bass Ports (They are now roughly -6db quieter which means a more controlled Low end) New version of the popular studio monitors for a very reasonable price. The declared frequency response of the Yamaha HS8 is 47 Hz to 24 kHz (-3 dB). What does that even mean when it comes to sound? 22Hz - 150Hz frequency response High-power 150W amplifier exclusively designed for low frequencies LOW CUT switch, LOW CUT control (80-120Hz) HIGH CUT control (80-120 Hz) PHASE switch allow users to set up a subwoofer system with simple connections and no additional equipment The frequency range is between 38Hz and 30 kHz, so all the details will be captured, allowing you to enjoy a clear audio image with all the details in the sound. Happy mixing! (The woofer’s white cone harks back to its seminal forebear, the NS10M.) The on/off switch is located on the back and when switched on, the Yamaha logo on the front of the Monitor glows a nice white. Therefore, HS 8 can perform more detailed bass and accurate sound. If the lead vocal is the last element of the mix to go silent, you can be certain it won’t sound too low on any reasonably good system. I was looking for a set of nearfields for reality checks while mixing. My HS8's are on top of my LSR32's, vertically oriented, upside down, on pads, at a slight downward angle toward my mix position. Published: 11/01/2013. To put my thoughts into context, prior to my purchase I was mixing on a pair of Dynaudio BM-5As and was looking for a larger speaker for the new, bigger room. I was quite surprised to hear the notorious "Hissing" sound was almost completely gone from the HS8's as the HS80's suffered from that problem. The mids on the LSR32's are the main reason I fell in love with them to begin with. The G4S features a custom-class D power amplifier that drives the speakers to ensure the … Better Frequency Response As far as monitors go, I wouldn’t say they are the flattest, but they have just enough of a curve to make them pleasing for those long hour days. I bought the HS8's based on reviews and had not heard them before. The HS7 is a newer mid sized (6.5" Cone Woofer) which is closer to NS10 ( the classic studio monitor ) Otherwise, the HS8 is perfect for a bigger room with plenty of space. 38Hz - 30kHz (-10dB), 47Hz - 24kHz (-3dB) frequency response 75W LF plus 45W HF bi-amp system for high-performance 120W power amplification ROOM CONTROL and HIGH TRIM response controls The LSR32's have 12" woofers that reach pretty darn low, but in my normal mix position in a 6' equilateral triangle, the lows (and especially the really low lows) don't seem to have enough space to build, and I have trouble hearing them. In fact, on a mix I've been working on, the HS8's helped me realize I'd set the slight boost on the high freq's on my 2-buss eq at the wrong freq (16khz, should have been 12khz, with a wider Q). (HS5, HS7, HS8) With its 38Hz to 30kHz frequency response, the HS8 can accurately play low, middle and high tones. We brought the Yamaha HS5 to our anechoic chamber to get an idea about its frequency response and distortion characteristics. The high-performance drivers include an 8” woofer and a 1” tweeter. In fact, the HS8 still produced outstanding imaging, transient response and high-frequency detail with the High Trim control adjusted to attenuate response 2 dB above 2 kHz (with the Room Control filter also in the -2dB position); the sound just had a little less air and depth. It is fitted with a 1-inch tweeter that offers 45W of high-frequency power output. Yamaha HS 8's are designed after the highly sought after and widely popular NS 10's. They are bi-amplified with 120W of total power, sporting a gain control on the rear, along with a room control and a HF trim control which cuts or boosts 2dB at 2kHz. While mixing a music production, use this simple test to confirm the lead vocals are loud enough to be clearly heard: Very slowly turn down your control-room monitor level until no sound is heard. The XLR connector and TRS phone jack input connections are both balanced, but the latter can accept unbalanced signals. The Yamaha HS8 studio monitors are big and heavy but offer great sound. Especially with this setup, the HS8 outperforms other monitors I’ve heard in its price range. Depending on your needs, you have options. But when I switch back and forth, the LSR32's are definitely more articulate in the mids where I care the most about getting things right, while the HS8's are what I need to tell me what I can't quite hear in the highs and lows on the LSR32's. either way great deal. The waveguide’s considerable thickness minimizes distortion-birthing vibration. Examining the monitor’s frequency-response chart, the most noticeable deviation in response is a dip between 6 and 9 dB, with a nadir of roughly -3.5 dB. I found the higher end of the A8X's to be a little too clear and not as well balanced wit the low's as I would have like. I recently went through this process as I retro-fitted my home workspace with a new mix studio. Otherwise, the spec departs no more than about 1dB from ruler-flat response from 50 Hz to well over 20 kHz. Michael Cooper is a recording, mix, mastering and post-production engineer and the owner of Michael Cooper Recording in Sisters, Oregon. The monitors themselves are actually on the cheaper side of things retailing for $349-$399 each. There is enough bass for mixing to be fun but it isn’t overwhelming or boomy, in fact it is quite focused. The mids on the two pairs of speakers are also very different. However, when comparing the HS7 to the HS8 while doing a back and forth comparison of Kick-Drums, the Kick seemed to be (over?) Not flat or accurate, but great. A continuously variable level control attenuates output to mute silence when turned all the way down; it’s detented at the noon position for +4dB nominal input level and accommodates -10dB input when cranked to the max. Excellent value. What's The Difference? The Lows are certainly more tame than the HS80's. I could clearly hear fundamental tones produced by a four-string electric bass down to about an F# on the low string, below which notes were audible but understated. All the monitors are almost up against my back wall, at an angle pointing at my mix position. Hs8 - 12.5 kg This particular monitor has an 8” cone woofer in the classic Yamaha bright white as well as a 1” dome tweeter covered by a mesh grill reminiscent to the NS10s. - Acoustic controls on the rear are different from the HS80's, in fact there's now only two controls from the four on the HS80's. If you have a smaller room and bass response is no concern I would recommend the HS5 or HS7 for a little more bass. Why were the NS 10's so popular? The HS8’s frequency response is stated to be 47 Hz to 24 kHz, -3 dB, with 10dB down points at 38 Hz and 30 kHz. Obviously this is not what I wanted for the studio but maybe for the living room. … Room control and high-trim response controls give you optimum response in any room. Luckily for me, I have a very patient gear representative, and we were able to land on a set, that over the last few months, I have really grown to understand and don’t know what I would do without. Ever since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. However, there are still some things that will help you make your decision in this area. What’s more, the frequency response of HS8 is more stable than HS7, as we can see in the above graph. One of the primary features that make the Yamaha HS8 stand out is its higher frequency response rate. Some may think $800 is a lot for a pair of monitors, but considering the competition (which can cost several thousand dollars per speaker), I was relieved to love them as much as I do now. That's what I needed. The HS8 are to me very neutral and theres absolutly no fattigue, personally i don't need a subwoofer or to adjust the sound using the high trim or room control, the sound is clean and open without sounding bright and unnatural I like them both, in different ways. Still, it's a clean high on the HS8 that I think will help me spot mistakes in my high eq. A 1-inch tweeter handles the mid and high end. I've learned to walk to the back of my mix room to check that my low (and low low) end isn't getting too boomy, or too slack. I found the HF trim particularly useful as my first two mixes came out a little bright for my tastes so a 2dB bump at 2kHz made me a bit more aware of this, and every mix since has been spot on. -Updated Drivers (New Tweeter {30khz} and Woofer). Design. I got my HS8's this afternoon and have been A/B'ing them with my main monitors--JBL LSR32's--for a few hours on reference material and my own mixes. The only drawback was that the bass response sounded less extended. The HS8's bass, though not as deep as the LSR32, is punchy and super tight, and far more audible in my mix position. With 120-watt amplification, you’ll enjoy high response in any studio setting. The highs on the HS8 are pretty hyped compared to the LSR32's. Whether you are an audio for film guy/gal or a music mixer or even a live mixer working outside the venue, you need a great pair of studio monitors. They are very true to sound and I find my mixes translate extremely well after mixing through these monitors. They’re a classic design featuring sleek lines, with a little bit of futurism thrown in by the rounded corners and Venn diagram style overlapping of the dome and tweeter perimeters. There's a round, warm, controlled sound to the bass that was often out of control on the HS80's ( even with low cut adjusted ). As i have mentioned in the begining, i use them only for listening to music and they sound just great, with lots of power, no typical bright sound with either to much or not enough bass, music sounds as they are recorded without the speakers adding something to the sound that most hifi speaker do. Sonically, the HS8's sound clearer throughout the entire frequency spectrum. The HS8’s frequency response is stated to be 47 Hz to 24 kHz, -3 dB, with 10dB down points at 38 Hz and 30 kHz. Both speaker-makers publish spec-sheets that would indicate they're both pretty flat, at least in the 40hz to 18khz range. The most obvious upgrades are aesthetically. Also, the HS8 bass doesn't reach as low as the LSR32's, and when I walk to the back of the room, where the LSR32 bass comes together and is super deep, the HS8's lose a touch of their punchyness and I can easily hear that they don't go as deep. emphasized with the HS8 where it was clear and apparent in the HS7 but not emphasized. Yamaha HS8 Review. Elsewhere, the 8-inch low-frequency driver produces 75W of power output, leaving you with a total of 120W in amplification power. The frequency response sits at 43Hz – 30kHz. Sound-wise the 8-inch cone woofer is coupled with a 1-inch dome tweeter. Yamaha HS8 Review. While the JBL LSR308 tops off at 24 kHz, the Yamaha HS8 is able to provide frequency response to a max value of 30 kHz. XLR connector doesn’t latch. The HS8 can produce very loud SPLs if you need it to. It's certainly not concert loud, but it's louder than I'd ever use for mixing, and it's loud enough for clients to hear their music "cranked." Now enter the HS8's. However, the young man who was assisting me was more than willing to pull out a fresh pair of HS7s. Once you hear the detail and translation you won’t regret it! What is "flat"? Yamaha has redesigned the cabinet as well as a few other components on the HS8 Monitors. The construction is solid and the two balanced inputs (one XLR and one TRS) seem quite reliable. Each studio monitor covers a different range of frequencies. For this review, I took a stereo pair of the largest two-way model, the HS8, for a spin. With both setups, I never felt a need to goose the HS8’s High Trim control; the high-frequency detail this monitor provides is superb. A perfect balance between the smaller HS5 and the larger HS8. Most surprising was the total absence of flabbiness in the bass band I’ve come to expect from monitors that employ a bass reflex port. A heat sink (for the amplifiers), rocker-style power switch and IEC power receptacle round out the rear panel. If I forget which pair is on, I get to where my brain can't tell me which pair is on. *Although I did not hear any of them with the new Yamaha HS8S Subwoofer, I can imagine how nice it would be to add it to the HS7s as opposed to the HS5s. 8 inch cone woofer and 1 inch dome tweeter; Produce low distortion sound with a well-defined bottom end at any output level 38Hz to 30kHz frequency response; Power consumption: 60 watts 75W LF plus 45W HF bi amp system 120W total;Level control (+4dB/center click), EQ: High trim switch (+/ 2dB at HF) / Room control switch (0/2/4 dB under 500Hz) Large magnets in an Advanced Magnetic Circuit design. In a way, that’s slightly unfair on the HS. Tips & Tutorials; Build and Tailoring. This is something I really needed; a way to check my bass levels without walking to the back of the room. When you buy products through links across our site, we may earn an affiliate commission. They're a little hyped (or scooped, 6 of one, half a dozen of the other), like a good aftermarket car stereo or a good mid-range hi-fi home stereo. An accurate representation of audio while working on a project is of the highest importance to anyone working in the professional audio field. In my control room, an Acoustic Sciences Corporation Attack Wall (a set of modular tube traps) is positioned to prevent sound emanating from the rear of the monitors from reflecting off the front wall. Frequency Response. As a mix engineer, I have put a variety of studio monitors through their paces. The larger and heavier design of the Yamaha HS8 compared to the HS7 could partly be attributed to the heavy bass that comes from it. The HS 8's deliver a clean flat tone without the need for an additional subwoofer to hear the lows. 38Hz - 30kHz (-10dB), 47Hz - 24kHz (-3dB) frequency response. To make what could be a long story, short, the HS5s were very midrange forward and almost brash whereas with the HS7, the highs and mids were clearly there but not over emphasized. Theres 45 watt for the 1" tweeter and 75 watt for the 8" big bas/midrange where the amplifiers are surpose to be the same as the old ones in the hs80/50m, with their pro and cons,only the hs7 has a "new" amplifer they didn't used in the old hs, a speaker like the more expensive but also very popular adam a7x has 100/150 watt, but the total of 120 watt, each speaker has is for my taste and room more then enough, they can be really loud, enough for the neighbors to hear exactly what you are playing. That's what I needed. If you want to use them for professional use or just to listen to music they will do the job, they are bang for the buck, big speaker where you don't need a subwoofer, lots of power and most importent good sound for a resonable price. You also have Kevlar drivers which are among the best in the industry. I wouldn't trust them as my primary monitors, the biggest problem being the mid-scoop. The Yamaha HS7 has a large 6.5″ cone woofer and 1″ dome tweeter. TheKRK Rokit 8 G4 is a bi-amp monitor that is designed for professionals. Seven years ago, I reviewed Yamaha’s HS Series monitors (the HS50M monitor and HS10W subwoofer in Mix’s April 2006 issue) and was mightily impressed. With the HS8's highs flat, they're fatiguing at medium volume. Over those 15 years, I've learned to think of them as flat. HS8: 38Hz - 30kHz This is Quick-Review for NEW YAMAHA HS SERIES MONITORS (not just HS8-Gearslutz choices are not current for this series, otherwise I would have chosen HS7) In regards to the Yamahas, I found it interesting that this GC only had out the HS5s and HS8s. The Yamaha HS8 can handle sound frequencies between 38Hz and 30kHz, leaving the producer with a wide frequency response. Anechoic chamber measurements are useful to find out the raw performance of a speaker, but usually they won’t tell much about what to expect once you put it in a real studio control room. Impressive 38Hz to 30kHz frequency response. Pick one. When no audio is playing in the HS80's there's a very loud, noticeable hiss sound that comes from the tweeters. ----------------------- To sum up, if you are on the fence, bite the bullet and buy. That said, including a third filter would surely have raised the HS8’s price. The frequency response of HS8 is sligtly wider and more stable . Design - In my personal opinion, the HS7 will be a better match for my needs as it seemed “flatter” across the spectrum of sound compared to the HS5 and HS8 plus it has more bass end response compared to the HS5. A 75-watt amp drives the woofer, which is protected by a built-in limiter, while a 45W amp juices the tweeter. Itfeatures a Graphic EQ with 25 settings to adjust your acousticenvironment. This is where things get a bit tricky as I was able to test these in an environment that I was familiar with, so your first impressions may differ. In our case, there is a very slight (but especially important) difference between the Yamaha HS7 vs HS8: the HS7 has a Frequency Response of 43Hz – 30kHz, and the HS8 has a Frequency Response of 38Hz – 30kHz. There's also a slight difference in weight I went with overall subjectively approximately equal volume. A three-way High Trim switch boosts or attenuates response 2 dB above 2 kHz—the drivers’ crossover frequency—and alternatively provides a null (0dB) setting. Hs80 -13.2 kg Sound - The XLR connector does not latch—a minor concern. After activating a 2dB cut below 500 Hz using the Room Control filter on each monitor, the imaging and transient response became positively outstanding, and the upper-bass and low-midrange bands sounded crystal-clear. 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