Das Kunsthaus Bregenz ist eine der führenden Galerien für zeitgenössische Kunst in Europa, sowohl architektonisch als auch programmatisch. No matter which direction the light in, is always transmitted horizontally inside. Labor terrazzo is remarkable in such a large area, as no expansion joints are required. The lecture covers the following camps: 1. Done. The main materials used in the construction of these buildings are steel, glass and concrete. Translucent glass and facades are illuminated externally by sunlight and inside by artificial light, becoming a dynamic part of the building as it reacts differently according to the light, time of day, the weather and the surrounding context. A total of 28 kilometers of pipes filled with circulating water have been installed in the ceilings and walls, creating an active engagement of the room climate in the substance of the building. The art museum stands in the light of Lake Constance. Initially planned to direct daylight to enter the building through obliquely placed slats on the facade, but the tests made in different models this solution was not satisfactory. A year after the completion of the Thermas Vals, the renowned minimalist architect, Peter Zumthor has completed the design of A year after the completion of Therme Vals , renowned minimalist architect, Peter Zumthor completed the design of Kunsthaus Bregenz . Das Kunsthaus Bregenz ist bist zur Eröffnung am Freitag, 11. The building is located in Bregenz, in Karl- Tizian -Platz,on Lake Constance, the capital of Vorarlberg, the most western federal state of Austria, with Switzerland to the west and Germany in the northwest. The museum strives to be the intersection of art and architecture that opens itself to culture and international influence. Three vertical concrete blocks support the floors and ceilings of the museum. »Denken ist eine Linie, Emotionen sind Raum. The facade made of glass tiles acts as a skin to spread the light of day that passes first through the rows of windows and then through the light ceilings in the hallways. About the suspended ceiling lit lamps were placed pendulum specially designed to place controlled by an external light sensor located on the roof of the museum, supplementing daylight. "  - Peter Zumthor, The minimalist structure stands as a light box that absorbs, reflects, and filters light across the façade and throughout the building.  The facades etched, translucent glass glows as it is illuminated by the sunlight, or the interior lighting, becoming a dynamic part of the building as it reacts differently according to the light, time of day, weather, and the surrounding context.Â. To encourage a special form of concentration on the four stacked exhibition floors, the galleries have no windows, but daylight is everywhere, scattered by etched glass facade. The administration building, located in front of the museum to the city center, acts as a transition structure in the face of smaller, low buildings in the old part of town. All images are © each office/photographer mentioned. The Kunsthaus offers attractive exhibitions of international scope and one of the largest art collections in Switzerland, with works from the 13th century to the present day, with around 4,000 paintings and sculptures as well as 95,000 prints and drawings Fill in the “Seestraße” between Vorarlberg Theatre and the main post office was empty for many years. Zumthor’s minimalist design adapts spaces for art on display in its exhibits creating a coexisting and redefining relationship between art and architecture. Introduction. From the outside, the building looks like a lamp. The buildings structure is minimalist and reductive in the sense that only three walls support the museum and all of its floor plates.  The three concrete walls enclose the gallery spaces and section off the circulation spaces to the perimeter of the building creating a building of seclusion and openness all in one. The Kunsthaus museum in Bregenz, Austria is always in a constant state of flux always changing its exhibition spaces to accommodate international contemporary art. It absorbs the changing light of the sky or the foggy lake, it reflects light and color and gives an indication of its inner life according to the viewing angle, the light of day and time… ” Peter Zumthor. The floors are supported on three interior bearing walls located at the perimeters of the gallery. The exterior walls of the ground floor and the first underground level are etched glass from floor to ceiling. Dezember geschlossen. 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